| No. |
Image |
Artist |
Title |
Date |
Technique |
Measurement]
(cm) |
Ed. |
Sign |
| 1 |
 |
Paul KLEE |
Terrifying dream |
1919 |
Lithograph |
28.2x22.5 |
|
Imprinting signature |
| 2 |
 |
Paul KLEE |
Riesenblattlaus |
1920 |
Lithograph |
44.3x37.0 |
|
|
| 3 |
 |
Wassily KANDINSKY |
Veil
(From "Regards sur le passe") |
1911
(Printed in 1971) |
Woodcut |
15.5x3.8 |
40 |
Signature in version, emboss in margin |
| 4 |
 |
Wassily KANDINSKY |
Improvisation 7
(From "Regards sur le passe") |
1911
(Printed in 1971) |
Woodcut |
19.0x12.4 |
40 |
Signature in version, emboss in margin |
| 5 |
 |
Wassily KANDINSKY |
Improvisation 19
(From "Regards sur le passe") |
1911
(Printed in 1971) |
Woodcut |
15.0x18.5 |
40 |
Signature in version, emboss in margin |
| 6 |
 |
Wassily KANDINSKY |
The Last Judgement
(From "Regards sur le passe") |
1911
(Printed in 1971) |
Woodcut |
16.0x21.2 |
40 |
Signature in version, emboss in margin |
| 7 |
 |
Wassily KANDINSKY |
Spring
(From "Regards sur le passe") |
1911
(Printed in 1971) |
Woodcut |
11.7x8.7 |
40 |
Signature in version, emboss in margin |
| 8 |
 |
Wassily KANDINSKY |
Composition 11
(From "DERRIERE LE MIROIR
133-134") |
1913
(1962) |
Lithograph |
37.7x44.0 |
|
Signature in version |
| 9 |
 |
Wassily KANDINSKY |
Two knights ahead red
(From "Sound") |
1911
(Printed later) |
Woodcut |
10.5x15.7 |
|
Signature in version |
| 10 |
 |
Koshiro ONCHI |
Lyrique: Enlightening Moment
*Reasoned No.38 |
1915
(Printed later) |
Woodcut
(Printed by Kunio) |
13.3x9.7 |
|
Emboss by Kunio |
| 11 |
 |
Koshiro ONCHI |
Mother and Child
*Reasoned No.72 |
1917 |
Woodcut
(Printed by Hirai) |
29.0x24.0 |
|
Stamp signature |
| 12 |
 |
Koshiro ONCHI |
Flower
*Reasoned No.114 |
1928 |
Woodcut
(Original) |
16.0x11.0 |
|
Signature in version |
| 13 |
 |
Koshiro ONCHI |
Bath Room in the Moning
*Reasoned No.115 |
1928 |
Woodcut
(Original) |
21.0x14.0 |
|
|
| 14 |
 |
Koshiro ONCHI |
Lyrique No.2: Lyrique on Musical Thems: Debussy, "Poisson d'or"
*Reasoned No.156 |
1933 |
Woodcut
(Printed by Hirai) |
34.0x23.0 |
|
Stamp signature |
| 15 |
 |
Koshiro ONCHI |
Lyrique No.2: Lyrique on Musical Thems: Ravel, "Morning song of a Pierrot"
*Reasoned No.158 |
1933
(Printed later) |
Woodcut
(Printed by Kunio) |
27.0x16.5 |
|
|
| 16 |
 |
Koshiro ONCHI |
Insects
*Reasoned No.176 |
1935 |
Woodcut
(Original) |
36.0x31.0 |
|
|
| 17 |
 |
Koshiro ONCHI |
Tokyo Station from "Scenes of Lost Tokyo"
*Reasoned No.247 |
1946 |
Woodcut
(Original) |
24.5x18.4 |
|
|
| 18 |
 |
Koshiro ONCHI |
Composition No.2
Character
*Reasoned No.314 |
1949 |
Woodcut
(Printed by Hirai) |
34.2x26.7 |
|
Stamp signature,
A seal of "Printed by Koichi HIRAI" on the reverse |
| 19 |
 |
Koshiro ONCHI |
Poem No.15
Past
*Reasoned No.340 |
1950 |
Woodcut
(Printed by Hirai) |
42.1x32.3 |
|
Stamp signature |
| 20 |
 |
Koshiro ONCHI |
Poeme No.22
Leaf and clouds
*Reasoned No.401 |
1953 |
Multiblock Multicolor
(Printed by Hirai) |
45.0x35.0 |
|
Stamp signature |
| 21 |
 |
Koshiro ONCHI |
Chinese scenery |
1939 |
Watercolor
(Original) |
18.0x23.5 |
|
Certificate by Kunio ONCHI |
