Hiroko IGETA Exhibition:
Portrait of Kazuyo Morita Standing on One Leg

September 15 Tue. - September 27 Sun. 2015, 12:00-19:00
GALLERY OPEN ON ALL DAYS



Toki-no-Wasuremono presents a special exhibition of the works of artist Hiroko Igeta. Centered on the new “Portrait of Kazuyo Morita Standing on One Leg,” the exhibition also highlights Igeta’s ceramic figures.

● Event Information: Gallery Talk with Kazuyo Morita (in Japanese)
Date: September 26 (Sat)
Time: 5:00pm
Entrance fee 1000 Yen, RSVP required.

Please mail us with subject line “Gallery Talk,” your full name and contact address.

 

"Kazuyo Morita, who is active as an actress and contemporary dancer, was born with multiple disabilities. I initially met her when she was looking for someone to create a likeness of her body. I realized that this body of hers, which many have said would not be able to live for long, in fact possesses a delicate gorgeousness and a sharpened strength." (Hiroko Igeta)

 

Hiroko Igeta, born 1967, creates ball-jointed dolls since the early 1990s themed on aspects of the human body in its three-dimensional appearance. For the last ten years, Igeta used a technique of paulownia sawdust paste mixed with starch to create portrait dolls based on the likeness of living people.

With her portrait dolls of three dancers – “Demon in Mt. Masukata,” based on Daisuke Yoshimoto (2007); “Kei Doll,” based on Kei Ishikawa (2010); and “Accelerating us,” based on Ritsuko Takahashi (2012) – Igeta’s transformed interpretations seem to play on the constraints of the free movement of the body that these artists impose on themselves to achieve expression on stage. Making dolls in paulownia sawdust requires multiple months, sometimes even more than a year, during which time Igeta shares the world of the model. The idea of time thus is molded into the respective dolls.

Kazuyo Morita, the model for “Portrait of Kazuyo Morita Standing on One Leg,” was born 1977 with spina bifida disorder, scoliosis, and a hereditary birth defect. Relying on an artificial leg, she has become an actress and dancer.

Igeta’s work started from her model’s wish to see herself portrayed in three dimensions. The artist chose to approach her task in a direct and frontal manner, to render Morita’s particular physical appearance in accordance with her upfront personal character. The whole process involved many trial and errors. While many of her works bear close resemblance to her models, Igeta’s dolls have always been more than just faithful renderings of their outward shapes. This time as well, she placed emphasis on responding to aspects of Morita’s personality. Confronting the resulting work provides the impetus to question how the viewer sees the body and its capacities.
(Hiroaki Kyotani, poet & critic)


For a price list, please contact us via e-mail with a title, your name and your contact address.

Hiroko IGETA
Born 1967 in Tokyo, Hiroko Igeta has been making ball-jointed dolls since 1986. She graduated from the Visual Communication Design course at Musashino Art University in 1990. In 1994, she turned her focus towards exhibition activities while at the same time working in a design company. Since 2004, she fully concentrates on her artistic career and her work as a freelance illustrator. Her dolls portray real people through the eyes of the artist, and they encapsulate their models’ history within their shapes.

Hiroko IGETA Exhibition:
List of works / September 15 (Tue) - September 27 (Sat)
No.
Image
Title
Date
Medium
Measurement
Sign
1
"Portrait of Kazuyo Morita Standing on One Leg"
2015
Paulownia sawdust paste, oil colors
H100cm (H140cm with pedestal)
Signed on the back of the head part
2
"Torso (1)"
2014
Ceramic
10.5x19xh14cm
Signed on the back
3
"Torso (2)"
2014
Ceramic
21x11xh11cm
Signed on the back
4
"Torso (3)"
2014
Ceramic
9.5x11xh22cm
Signed inside the leg
5
"Portrait of Kazuyo Morita"
2014
Paulownia sawdust paste, oil colors
40x30xh48cm (H77cm with pedestal)
Signed on the back of the foot
6
"Untitled A"
2014
Ceramic
34x25xh19cm
Signed on the upper part of the torso
7
"Dancing under delusion"
2015
Ceramic
26x15xh18cm
Signed on the back
8
"Hankoko (Spirit Appearing in the Fume of Incense"
2015
Ceramic
20x10xh16cm
Signed on the back
9
"Resonance"
2015
Ceramic
20x13xh10cm
Signed on the back
10
"Uzumibi (Banked Fire)"
2015
Ceramic
19.5x12.5xh10.5cm
Signed on the back
11
"Question Mark"
2015
Ceramic
24x16xh14.5cm
Signed on the back
12
"Last Flower"
2015
Ceramic
25.5x12.5xh10cm
Signed on the back
13
"Can't it be Stopped by Anyone?"
2015
Ceramic
19x9xh17cm
Signed on the back
14
"Hypnos 34"
2015
Ceramic
12x8xh14.5cm
Signed on the back
15
"Hibiscus"
2015
Ceramic
13x10xh16cm
Signed on the back
16
"Independent"
2015
Ceramic
16x8xh11cm
Signed on the back
17
"Control"
2015
Ceramic
8.5x15x12.5cm
Signed on the back
18
"Invisible Reality"
2015
Ceramic
14x11xh12.5cm
Signed on the back
19
"Before Being Born"
2015
Ceramic
14x8.5xh7cm
Signed on the back
20
"Vaporization (3)"
2015
Ceramic
11x7xh9.5cm
Signed on the back
21
"Time of the Peach Blossom Spring"
2015
Ceramic
14x7xh7cm
Signed on the back
22
"Vaporization (1)"
2014
Ceramic
8x7.5xh8cm
Signed on the back
23
"Vaporization (2)"
2014
Ceramic
13x8xh8cm
Signed on the back

Gallery view


 

Inquiry form

Product number, artist name, work title

Name:
Post code:
Address:
E-mail:
Tel:
If you have any question, an artist of interest, or a work you are looking for, please write in the box below.


We will reply to you as soon as we check our stock.