Director's Recommendation

Odilon REDON	"Beatrice" 1897 Color lithograph Image size: 33.0×29.5cm Sheet size: 51.6×38.4cm Ed.100 ※Raissone No.168 Please contact the gallery for the price.
Odilon REDON	(from 〈The Temptation of Saint Anthony, third series〉) "XIII. And eyes without heads were floating like mollusks" 1896 (1933 edition) Lithograph Image size: 31.2×22.5cm Ed.220 Raissone No. 146 Please contact the gallery for the price.
NOGUCHI Takuro	"Azure" 2020 Hakuga (Lacquer, Gold/Silver foil, Charcoal, Resin, Clear acrylic paint on Wood panel) 50.0×100.0cm Signed Please contact the gallery for the price.
NAMBATA Tatsuoki	"Blue Landscape" (Japanese page) c.a. 1973 Oil painting 45.5×38.0cm （F 8） Signed Please contact the gallery for the price.
HIRASHIMA Akihiko	"Shinjuku 3-chome (Tsunohazu 1-chome) Restaurants at Gotaiten Square" 1985.9-1986.2 (Printed in 2020) Gelatin silver print Sheet size: 25.4×30.2cm Ed.10 Signed Please contact the gallery for the price.
KURAMATA Shiro	"Flower Vase（1990） , Flower Vase"" 2020 Silkscreen set of 10 37.5×48.0cm Edition: 35 (1/35-35/35) Publisher: Watanuki Ltd. Please contact the gallery for the price.
HIRASHIMA Akihiko	"Eitai Harbor at Oshimagawa Nishishigawa" 1985.9-1986.2 (Printed in 2020) Gelatin silver print Sheet size: 25.4×30.2cm Ed.10 Signed Please contact the gallery for the price.
HIRASHIMA Akihiko	"Sakuragaokacho　Marunishi Apartments" 1985.9-1986.2 (Printed in 2020) Gelatin silver print Sheet size: 25.4×30.2cm Ed.10 Signed Please contact the gallery for the price.
HIRASHIMA Akihiko	"Eitai Harbor at Oshimagawa Nishishigawa" 1985.9-1986.2 (Printed in 2020) Gelatin silver print Sheet size: 25.4×30.2cm Ed.10 Signed Please contact the gallery for the price.
HIRASHIMA Akihiko	"Takadanobaba 1-chome (Suwacho) Boarding house with meals Nihonkan" 1985.9-1986.2 (Printed in 2020) Gelatin silver print Sheet size: 25.4×30.2cm Ed.10 Signed Please contact the gallery for the price.
Man RAY	"Les Larmes" c.1930 (Printed in 1988) Gelatin silver print Image size: 28.8×20.9cm Sheet size: 30.0×22.0cm Stamped on the back Modern print by Pierre Gassmann Labeled by ZEIT-FOTO SALON on the frame Please contact the gallery for the price.
Ay-O	"A transparent wave 　Sri Lanka" 1981 Silkscreen (Printed by Tokuzo OKABE） 90.0x150.0cm Ed.85　 Signed Please contact the gallery for the price.
UEDA Shoji	"Untitled" 1977 Type-C print, wood panel 27.0×40.0cm Please contact the gallery for the price.
MIYAMORI Keiko	"Birdcage Without Roof #4" 2009 Birdcage, resin, grain, washi, charcoal 30.0X21.5X35.0cm Signed About five years ago some fortunate circumstances led me to begin showing my works at a general store in Miyota, Nagano called pacearound. The large space is filled with European antiques, crafts, art, and other items that catch the young shopkeep's eye. It's in a difficult location you need to search for to reach, but is well loved by locals and people of culture alike. Even Kato Norihiro, the literary critic who moved his workplace to Komoro, used to stop by from time to time. He took a liking to my works that he sometimes saw there, and was interested in using one as an illustration for an essay of his, which is how our correspondence began. (From Miyamori Keiko's essay series, "Within Tremors 01") Please contact the gallery for the price.
ONOSATO Toshinobu	"White large and small circles" 1955 Oil on canvas 24.5×33.5cm Signed My work is phsyical science. You could even say that it contains nothing picturesque at all. I was always most interested in physics. At some point I ended up on the side of art, but I really have no relation to "human drama". In the same way that physics has symbols such as material, relative strength, and numbers, I have shape and color. (From "From Basic Form and Color", Bijutsu Techo 1962 August Edition) Please contact the gallery for the price.
SUGIYAMA Koichiro	"Line & Fill 09" 2020 Watercolor 21.0×29.7cm Signed I work hard on broadening my sensitivity in order to avoid missing the little things that overflow here and there in this world, but which often go unnoticed. (SUGIYAMA Koichiro) Please contact the gallery for the price.
SUGIYAMA Koichiro	"Line & Fill 01" 2019 Watercolor 14.8x21.0cm Signed I work hard on broadening my sensitivity in order to avoid missing the little things that overflow here and there in this world, but which often go unnoticed. (SUGIYAMA Koichiro) Please contact the gallery for the price.
KURAMATA Shiro	"How High the Moon" Designed 1986（manufactured 2020） Material: steel expanded metal Finish: satin nickel finish Size: w955×D825×H695(SH330) mm Comes with plate of authenticity of reproduction from Kuramata Design Office When it comes to mesh works, I express a surface that is barely self-standing by erasing excess factors. Because of this, I am often described as a minimalist artist, but I am actually doing the opposite. By chrome-plating, a mesh shines and seems as if it is growing. So I work to erase and increase at the same time. For me, the concept of decoration is sparse, but it may be that I find my own decoration in a cell-like mesh patterns that increases in the process of erasing. (from CHANCE 1988 Summer "World of Shiro Kuramata" (1996)) Please contact the gallery for the price.
Jonas MEKAS	"A sunflower" 2009 CIBA print 35.4×27.5cm Signed It was about 30 years ago, I took my first trip to Japan. I've visited many times since then, from the far north to the very south, making many friends along the way. And all of you, my good friends from Japan, have sent so many beautiful gifts over many years, which I treasure every one of. In return, I give you my little gifts, my movies, my poems, my words. (from Jonas Mekas: conversations, letters, notes, misc. pieces etc., Sept. 2012) Please contact the gallery for the price.
HOSOE Eikoh	"Ordeal by Roses #32" 1961 Gelatin Silver Print / printed later 20.0x30.0cm Signed What Mishima wanted was not some banal author's portrait. He wanted to be a "dancer" as the subject matter of my photography. So I naturally knew I should create Hosoe Eikoh works using butoh dancer Mishima Yukio as the model. The young photographer who had just turned twenty-eight and six months was a passionate young man who feared no god. (Hosoe Eikoh, from production notes of Ordeal by Roses) Please contact the gallery for the price.
Le Corbusier	#11b from the series "Unité" 1965 Copperplate print Sheet size: 57.5×45.0cm Frame size: 66.0x54.4cm Ed. 130 Signed "My architecture is something that's arrived through the waterways of my prints." (Le Corbusier) Please contact the gallery for the price.
ISOZAKI Arata	"Shadow 1" 1999 Screenprint Image Size 58.3x77.0cm Sheet Size 70.0x90.0cm Ed. 35 Signed "Hanga abstracts and visualizes the basic concepts of architecture. A concrete work of architecture exists in three dimensions and holds an empty space in its interior, making the viewer's approach and experience very different. However, that work's conceptualization requires some kind of key introduced in a single format. That aspect is what I want expressed through hanga. You could call it a visualization of the moment some architecture is born from the architect's hand. At the same time, there's a part in which the architect attempts to reinterpret his own work." (From Isozaki Arata, "Architecture as Hanga") Please contact the gallery for the price.
ANDO Tadao	"Chikatsu-Asuka Historical Museum" Screenprint 1998 Image Size 70.5×51cm Sheet Size 90.0×60.0cm Type-A Nishinouchi (Japanese paper) Ed.10 Signed Type-B Kakita paper Ed.35 Signed "Japan, in the process of accepting modernity, neglected that aspect of utmost importance cognizant of ego, "the individual", rejecting "dreams" and "madness" in the name of "efficiency" and "rationality". And amidst the uniformity, the Japanese people, afraid to stand out and mark a difference between the self and other, became particularly cowardly citizens of "mediocrity" and "custom". I treasure the expressions that come from "the individual". I believe it should be obvious that a rich "self" creates rich "families", "communities", "nations", "worlds". And it is precisely the "intuition" and "dreams", and "madness" of "individuals" who don't fit contemporary frameworks which breathe life into architecture, and give vitality to those who live there." (From Ando Tadao, "Houses") Please contact the gallery for the price.
NOGUCHI Takuro	"Landscape #45" 2018 Hakuga (Lacquer, Gold/Silver/Platinum foil, Charcoal, Resin, Clear acrylic paint on wood panel) 137.3×112.1cm Signed Please contact the gallery for the price.
KOMAI Tetsuro	"Face (Surprised Girl)" 1975 Copperplate print 23.0×21.0cm Ed.60 Signed *Raisonne No. 312 (Bijyutsu Shuppan-sha) “What is important for the artist is some new and original idea, like a poet thinks in words, it should be possible for a copperplate artist to enter the world of creation by carving a copperboard in some way, clarifying a thought through resistance of a material" (KOMAI Tetsuro from "Black and White Modeling") Please contact the gallery for the price.
SUGIYAMA Koichiro	"Line & Fill 02" 2019 Watercolor 14.8ｘ21.0cm Signed “Designing architecture is to create a new sense by using materials” Architecture is composed of countless materials. Like a series of sounds makes a melody, putting several materials together sometimes ends with an unexpected resonance effect, which could not be achieved just with mere list of elements. I think, creating an architectural space means creating a new sense by arranging multiple materials in proper manner and letting them resonate each other. (SUGIYAMA Koichiro) Please contact the gallery for the price.
NARAHARA Ikko	From the series Domains:"Garden of Silence (2)" 1958 (printed 1984) Gelatin silver print Image size: 47.8×31.5cm Sheet size: 50.8×40.6cm Please contact the gallery for the price.
Q Ei	"Two people" 1951 Photo-dessin 27.5ｘ21.5cm Signed “I'm trying to make my final adventure to see if I can escape from myself and plunge into the painting” (Q Ei) Please contact the gallery for the price.
Q Ei	"Seaside" 1955 Oil on veneer panel 27.3×22.0cm（F3） Signed ※「Q Ei Collection」（1997, Nihon Keizai Shimbunsha）p.68 ※Yamada Coshun "Q Ei Oil Painting Collection"No.244 ※Raisonne No.274 ※「Q Ei Retrospective」(1970, Fukui Q Ei no Kai) no. 2 “I'm trying to make my final adventure to see if I can escape from myself and plunge into the painting” (Q Ei) Please contact the gallery for the price.
Q Ei	"Dance of Red (tent.)" 1958 Oil on veneer panel 22.0×27.2cm（F3） Signed ※Yamada Coshun "Q Ei Oil Painting Collection" No.389 ※Raisonne No.444 “I'm trying to make my final adventure to see if I can escape from myself and plunge into the painting” (Q Ei) Please contact the gallery for the price.
SATO Kengo	"Box for Enclosure 1" 2018 Chestnut、oak、aluminum、persimmon dye H80cm Photo by comuramai “I came to think of seeing the invisible responsiveness, such as the box walking alone or swarming, and the furniture or architecture calling over 'Hey, you there'.” (Kengo SATO) Please contact the gallery for the price.

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